For the time being, Diane Landry is the only artist I need. I will not attempt to estimate the duration of this “time being”. Accordion playing umbrellas, haunted hospital beds and kaleidoscopic laundry bins are, in and of themselves, almost all I need. But when they are performed? The only thing more wondrous than motion-triggered kinetic sculpture, I say, is performer-triggered kinetic sculpture. Or DJing with plastic rats and kettles instead of vinyl discs. Or transforming the everyday into, well, a different everyday. The closest I’ve seen words come to putting her work across: “turn something boring into candy that melts in the mind and becomes a parachute jump.” Those are Landry’s own words. You can read more of them here, and see video of more of her performances here .
Preslav Literary School
Today I will be listening to my new WEBCRUSH. I’m downloading Preslav Literary School’s album Pretext/Context right now, and I think it’s going to sound marvelous in headphones later. I see on the site references to musique concrete, Basinski, and reconstruct/deconstruct. All informative descriptions. The broadest, simplest idea I would tag it with is “accessible experimental”. The accessibility stems from the human hand recognizable as author of the work, and the very earthly soundscapes created. Preview the work here.
Preslav Literary School is Adam Thomas, whose work you may have encountered at various European festivals, where he performs live tape collage. Or you may have encountered his taste in the work of others if you enjoyed transmediale.10, as he was involved with its curation.
His website, in addition to hosting recordings, contains creative writing both journalistic and fictional. I read without surprise that he was reading Gravity’s Rainbow in 2009, and of course I wondered if he completed it (observant readers of Even More Legendary may recall my confession that I have repeatedly failed to do so). The site also reports on projects he’s involved in, like the Berlin Tape Run, whereby a tape changes hands repeatedly over four months, resulting in a collaborative audio document; and Echolalia, featuring a live tape orchestra, a workshop, and a publication of speculative fiction.
Katie Paterson’s Glacier Jam
You have probably seen this by now, it’s been around. But I wanted to make sure. I think Wunderkammer was one of the first to post it, but regardless she certainly is one of the best posts on it, which discourages any inclination I might have to riff. I simply point you to the link below.
Wunderkammer : A Journal of Environmental Art: Katie Paterson: Langjökull, Snæfellsjökull, Solheimajökull.
Oh I hear you. You don’t need to see any more writing with light for a while. Well snap out of it, cranky, because this here is not just any writing, it’s calligraphy, you dig?
Gallery of Light calligraphy – No Photoshop on the Behance Network.
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