Like A Flesh Farm Invading My Mouth

Boogie Woogie Wonderland

I learned of Takuji Kogo recently, as I learned of the fullness of Instant Coffee’s endeavours, all through Art Metropole. It was the video work of both that Art Metropole had collated and distributed, but it is the language work of both that charms me most. A recurring element in Kogo’s work is found texts – everything from want ads to fortune cookie slips. Presented as text on a screen, but in fragments, or sung as simple melodies through a vocoder, the actualities are encountered fresh, their backstories and imagery evoked for contemplation. When matched with a slowly zoomed and panned image, the effect is to eavesdrop on the collective unconscious. The image work is effective on its own, as well, as seen above in Boogie Woogie Wonderland (with its added zest of looping frames). But for the full effect, visit Kojo’s project site *Candy Factory. Cute Or Creepy is a terrific specimen to start with.

Be Prepared

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Maybe you’ve seen her fold paintings at the Whitney Biennial*. Maybe you attended her performances at Deitch Projects with Cameron Miserow on the Auerglass, the pump organ they designed. Maybe you were a delegate of Rhizome’s Seven on Seven the other day, and saw her create interactive sculpture on the fly with Ayah Bdeir? Perhaps you have been exposed to her work on the Geometry Playground project for the Exploratorium?

If not fret not. Tauba is going to be busy blowing minds for a long time to come, and she gives warning of opportunities to witness. Prepare for her madhouse website, linked below. Bookmark.

*not too late

Tauba Auerbach.