I am not going to post anything relating to the current Jonze joint, if only to reduce the amount of time I am made to give it my attention. Even after I see it. And I already know that then I will have my work cut out for me, upholding this fussy and arbitrary rule. I am always up for a challenge, me.
Author: arantxatxatxa
Wingnuts Wonder If It Bears Weight

© Leandro Erlich. Courtesy Sean Kelly Gallery, New York. Photo: Matthew Septimus. Courtesy P.S.1 Contemporary Art Center.
Leandro Erlich’s Swimming Pool is at MoMA’s P.S.1 from October 19 until March 1. As the artist points out on the P.S.1 site (link below), the double-height Duplex space is a natural for this work.
P.S.1 Contemporary Art Center: Exhibitions: Leandro Erlich: Swimming Pool.
Feeling Tina Berning

Illustrator Tina Berning: prolific, and versatile. Visit a smattering at Booooooom!, linked below, or visit the mighty catalogue on her site.
Today’s Legendary Brought To You By Happiness

In an attempt to reign in my hyperbolic tendencies, I can only take the Fifth here. I want to flip out in this post, so bad, but I don’t want to desensitize you. To cry wolf. So, no words. Maybe just a few letters. OMFG. I should acknowledge Lost At E Minor, who brought me to this exercise of discipline.
My Dutch Thing Continues

“Fabrics are the protagonists in the dazzlingly refined visual crescendo that is Forever.” Forever is the amount of time I have not known about Tord Boontje. Time I will never get back. This is one of those websites that feels like real time and space instead of the grifting most of the internet is. Magical creations photographed magically, presented through a magic interface (mui?). Under a magic moniker (already re-named my dogs Tord and Boontje).
Intimacy, Defined

From WebUrbanist via PSFK, comes my awareness today of Compagnie Willie Dorner. Apparently it is more concept than a set troupe, as performances around the world feature locals. Contemplating this on a screen, at least, pleasure arrives from two directions: the hideaway appeal of the nook and cranny, and the simple aesthetic cheer of multicolor!
“Living Sculptures” Squeeze Human Performers into Unexpected Spaces – PSFK.
Time Is Nothing Dammit
Roy One Pynchon Zero



Well, I finally finished it. A friend who is an avid reader, and more to my point, a socially avid reader, in that she participates in a book group, tells me that she knows a number of people who have not finished it. A number of people. She had told me this before I finished, but I don’t think it spurred me on. Although I do carry some baggage around my multiple failed attempts to finish Gravity’s Rainbow.
I thought I would feel relieved when I finished. Not just because I had been finding it hard to stick with, but also because I was out of renewals at the library and was reading it on ever more costly overdues.
I didn’t feel relieved. I felt disappointed, at first, and actually I felt an expected disappointment. There had come a point in my reading The God of Small Things when I started expecting ultimate disappointment. I lost faith. But then, having finished, I read the laconic author bio on the back sleeve, and “first book” restored my faith. After all, I had enjoyed beautifully conjured settings, lush atmospheres, and an important social commentary. I suspect it will be memorable. My disappointment was only with a payoff that did not match its buildup. (Nor would I want it to. The payoff was fine. It needed less buildup.) A structural thing, really, and that reminds me of the kind of chop that gets honed with practice.
I hope Arundhati Roy will write a second book.
Mostly lists, not many reviews yet, but you might consider that a blessing.
Story Worth A Thousand Pictures

Saw this image through Wooster Collective and was instantly captivated, in no small part by the setting. Clicked through to its original home in Flickr, and read the amazing tale of this Belgian village Doel. Please follow my lead.
I Love You Theo Watson
The Filmmuseum is a museum of cinematography in Amsterdam. In 2011 they moved to a new facility, and their announcement of this news was appropriately cinematographic. Dutch sand sculptors The Sand-Factory created a replica of the new digs, and Britain’s Theo Watson, currently based in Amsterdam, designed a projection for the sculpture.

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