I can tell from this Jasper Walking series. I went to her site to learn more about her Flickr moons and suns, and the next thing I know I’m removed from time, just walking right along with Jasper, loving walking, loving seasons, loving neighbourhoods, loving Jasper, occasionally wondering about the endlessness of the series of images, wondering but not worrying because I have been released from time, and then not even wondering anymore and just click click click walking with Jasper.
Umbrico : Jasper Walking.
. :
The symbol representing Jessica Eaton. These symbols come up in your browsing dialogue popup whozits, and you never really know if it’s a lost in machine translation thing or intentional. But I like to think of the triangulating dots as Jessica’s mark. Why not?
I just came across this work, and I am spontaneously popping it in here due to Substantial Initial Connection. See Everything Has Changed Anyway and her Lee Filter work, Spectrum. See Cultivated Mystique and her Quantum Pong. Not making any connection other than flash card, mind you. Haven’t read about process yet. Just sharing the instantaneous recognition of shared marks.
. : Jessica Eaton.
Top: Rachel Granofsky. Bottom: Charlie Engman.
Clicked to Rachel Granofsky‘s site from Wooster’s post of her fun perspective tricks. There I discovered a different series, some of which reminded me of some of Charlie Engman‘s work. What do you think?
Great images and commentary from TED Fellow Puneet Rakheja on this Blindboys street exhibit.
Blowing Up Bombay – one street at a time – TED Fellows.
Left, Ngar Ball Traditional Masquerade Dance, Cross River, Nigeria, 2004, Phyllis Galembo. Right, Economies of Living no. 2, 2005, Nicola Siddons
Don’t read too much into this post, folks. I actually just wanted to adjacentize these. Selfish. Do visit both sites, however, as each contains thoughtful and rewarding views.
Nicola Siddons Contemporary Photography.
Copyright 2009 by Journeys with the Messiah
Fashion photographer Michael Belk imagines Jesus in the 21st Century.
Christian Art Prints | Jesus Art Photography.
Even more legendary than Polaroid? I doubt it.
Ventures which preserve film-related technologies fall outside of the Legendary bias against posting things which have price tags right on them.
Gimme an I! Gimme an M! ……
IMPOSSIBLE – film.
I hope Dyan Marie has a personal assistant. Otherwise I don’t know how she could produce the volume of work she does AND keep on top of things like meals and laundry. Marie creates organizations, street art, publications, events, photography, websites, interventions, galleries. I won’t take time out from my demanding laundry schedule to detail it all here. You can read about it on her website. As an enticement away from your own laundryfreude, know that the website includes an apology for mailing poison ivy-laced cards to heads of government and industry. And that you can see more of the work above, from her series “Un-still Lives With Traffic”.
Looking at Todd Hido’s Homes at Night put me in mind of Kelly Mark (recall our hysterical fandom here). Anything that enables our Kelly Mark worship is going on the site. Blam.
It’s Nice That : Article : Todd Hido.
Now playing at Jenkins Johnson (and their Armory Show exhibit), Courtney Johnson’s Glass Cities should inspire a resurgence of cliché-verre experimentation. Johnson works in a variety of techniques, including cyanotype and emulsion lifts, as well, and all of it can be seen on the site linked below. This process experimentation is often a focus of commentary on the work, understandably. But the style is not, solely, the substance, nor does it obscure the themes and viewpoints of the artist.
Courtney Johnson – Glass Cities – Jenkins Johnson Gallery, New York, NY – February 11 – April 3, 2010.
