Tip: Use the Colour Picker
This is exactly what we had in mind when we created the Distracted category here at EML. More than 50 collections. Collections like Design of Understanding, Chermayeff & Geismar 1960-2006, and Insides/Outsides. Or browse by category: discipline, year, format, location, colour, industry. You don’t even have to be Distracted to enjoy it: hop on the “search” and get it over with. Navigation is another smorgasbord of options, all of them perfectly appropriate. Note for future development: a bit of context would be welcome, ideally on the page, or even just through a link out to the Wikipedia entry.
The Closing Of The Tab
Cleaners . Oil on panel . 2009
I tweeted Justin’s show at Master Piper a while ago. Today I had to consider why I still hadn’t closed the tab containing the essay and some of the work. It didn’t take me long to solve that riddle: I’ve been looking at it every day. So, in deference to tidy browsers, I thought I’d store it away for myself here.
Just One More
Oh, who am I kidding? There may be many more. Or a spinoff site: Even More Miniatures. I can’t resist them. Nor diorama. I like to think these cars are transporting the meats of my earlier post. The link is to Lost At E Minor, but click deeper to see the apparatus revealed.
That Kind of Carwash
The Hideous Reality
Abrasive, Offensive, and Heretical
l-r: Reclining Dude, lithograph; Tricycle #1, torn steel and chain; Duelling Dickheads, acrylic transfer.
And now to get off the roundablog of art-of-the-moment, and share a little rearview of Peter Walker. Walker was born in London, England, but grew up and studied primarily in western Canada, before switching coasts to practice and teach in Newfoundland and Nova Scotia. Walker has worked in painting, lithography, photography, drawing and sculpture for over forty years. The work is in private and public collections, including that of the National Gallery of Canada. Walker’s work has often been controversial, as it goes to the places we are taught not to go in polite discourse, such as sexuality and religion. Read more courtesy The Art Gallery of Newfoundland and Labrador, the Mount Saint Vincent University Gallery, and the artist’s own site. Or just hang out, offended and abraded, with the images here. The tricycle works, by the way.
Olecranon
The Veils Sashay
Pocket Storms 4, Aleksandra Rdest, 2009
Aleksandra Rdest has been blogged almost as much as Alex Prager lately. That shouldn’t stop me from prettying up my stream with her work, though, should it? Tip: do visit the artist statement, as it reads like this looks.
Lite-Brite Lady and the Unicorn
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Sometimes a simple expository title is all that is required.
Wooster Collective: Shit We’re Diggin: Joey Syta’s Lite-Brite Lady and the Unicorn.


























